Basic Moves 05
Release date May 14th 2018
[inhale deeply] We continue to unfold our record label with a release from a mysterious New York City-born artist we have only known for a short time now yet who we admire and whose personality and uncomplicated way of being inspired us and motivated us to dig up his phone number, pluck up all our courage and dial the Berlin area code to ask if he had anything to add to the Basic Moves story. [exhale] As you might have guessed, the answer was positive and slowly, little by little, the elements of Basic Moves 05 began to assemble.
A year later, we had found the two horizontal techno tracks we were looking for. After our previous adventures of more ornament-focussed dance music we wanted to send a well-adjusted rhythm into the music stratosphere. Although Forgive and Not Knowing are clearly rooted in US techno and early minimal house, these tracks prove that roots tend to keep growing below the surface and that any new growth is proportionate to its groundwork.
Of course, we could try to pin down the effect of these balanced, layered compositions as much as we like with words but actually, their bright secret can only really be felt in sound and movement [loud, dancing].
Walrus & Islas, Brussels, 2018
Basic Moves 04
(Release date February 13th 2018)
~Un air entraînant de l’autre côté de la mer~
Last summer during an evening spent with my friend Dj Topha, we came upon the everlasting subject of old versus new. “I’m finding so much great music right now, and not just digging back in time but exploring our own timeline geographically too,” he said, “The level of production these days is rising fast. You have to check out these snippets from a new label based in Casablanca.”
Not long after, in an interesting twist of fate, Driss Bennis and I began to exchange music: I shared his Soundcloud for the first Casa Voyager release, and he sent me a promo copy which I played out a lot. It seemed only logical to ask him for music for Basic Moves. Later that summer we met in Paris for a convivial back to back at Dawidu’s shop, Te Iubesc Records and Sapology. It was as simple as that, and in a few weeks Basic Moves 04 was ready.
Night Train and Overseas blew me away by their quality – the tracks are retro-esque yet fresh, and stem from a loose approach to electro. Their arrangements are very smart; not everything is revealed the first time round. The more you listen, the more you understand that the power of the tracks lies in the details. Together with Ailsa’s artwork, Stefan’s cut and Chris’ mixes the release fell so smoothly into place.
I have come to realise how important it is for the scene to release recently produced music as well as treasures from the past. You can’t build a community by only playing old records. It’s about a combination, about finding gems that glide together. Old and new. And for that, I think both these DJ Booth tracks really fit the bill.
– WALRUS, BRUSSELS, 2017
Caustic 14 – Basic Moves 03
Release date October 3rd 2017
Breaking his silence after twenty years, Sebastian Snoeck a.k.a Sebastian S. will be the second member of the Belgian collective “BWP Experiments” to release on the Basic Moves imprint. He has handed over two previously unpublished tracks made under the moniker Caustic 14.
After listening to “Personal Space Invader” in 1997, Carl Craig asked Sebastian S. to produce new material for his own label, Planet E. “Message in a box” and “Rising Star” were therefore made as a response to this request. However, due to a political transatlantic rift, the tracks never saw the light of day and have since been stored on DAT tapes, hidden away from the general public’s ears.
If I had to describe Sebastian’s output, I’d say it is most importantly energetic, positive, and groovy. It bears the mark of a certain nostalgia, shying away from the blind celebration of both futurism and experimentation in order to reach intemporality. This attempt to exist outside of time gives his productions a certain character and in my opinion, his music has come to embody something I like to call “Space Opera Techno”.
Sebastian S has succeeded where many before him have failed: by avoiding copycat tactics and simplified approaches to production he managed to create a singular identity. The tracks are recognisable after the first few seconds – and that’s what makes his work so unique!
Mike DMA, Brussels, 2017.
Circadian Rhythms – Basic Moves 02
It took me a couple of years get invited to Deg’s (aka Circadian Rhythms) home, and a couple more years to dive into his Sonic Archive. But time tells and Basic Moves 02 is what came out. The two tracks were recorded at Earguard Studio in Brussels around 1996, at a moment when his interest was moving away from club music towards other golden musical horizons.
“Frequency” is a macro tech-house track in mid tempo. I’m super happy I could archive it on wax because we almost fucked up the master DAT tape by blowing up the player during a marathon listening session at his place. We had to open the device, unroll the tape across his house (full of records) and fold it back into the mini DAT cassette. After a few hours and twenty metres of tape, the problem was solved and the tracks archived: “A dose of authenticity at a time of post-counter-cultural stagnation”.
“House Speaker Call” originated in proto-techno forms. Deg never sees techno as a type of music but as a process. As a producer, collector, and deejay he always dives deep into authentic forms of electronic music. Deg’s antic personality shines out in the middle of the harsh beat-driven electro/techno track like a hopeful melody passing by on its elliptic orbit.
Tune your cells into his vibrations and get ready for these two timeless club tracks.
Walrus, Brussels, 2017.
Available from Crevette Records
Walrus – Basic Moves 01
Walrus has no fear!
By taking care of the maiden release on his newborn label ‘Basic Moves’ he shows the spiritual direction and marks the blueprint for future offerings.
The concept is simple: a 12′ always has two different sides.
One track on each side, each track a different mood.
‘Full Of Feeling’ resonates like the synthesis of an endless night encoded in washes of sounds. Twisted, alienated vocal signals communicate in deep space to form a teasing, never-ending, spine-tingling groove. The weekend lingers on, the dream is not over.
‘Among the Thugs’ is stripped down music for abandoned warehouses. A distorted vision of bleep techno and druggy Chicago acid house hides deep in the quirky waves of this wobbly and moody crowd mover.The ghosts of after hours haunting sweaty warehouse clubs from the past seem to float over these excellent tracks. Walrus refers to the best of all eras but forges his own unique stamp of modern dance music.
Underground clubs are where his music comes alive.
Geert Sermon, Brussels, 2017.Available from Crevette Records